photo: Ernesto Rodrigues, Nicklaus Neuser, Guilherme Rodrigues & Kriton Beyer (Berlin)
Montreal, Quebec. June 1 to 19, 2018. […] Shortly after closing time, l’Oblique Records became the venue for two sets of free improvisation: Portugal’s Luis Lopes led listeners down feedback alley, where his dexterous combination of scraped and banged metal on strings created a merciless flow of multilayered wails and percussive crashes. This was followed by a quieter set from Portuguese violist and Creative Sources label head Ernesto Rodrigues, who formed a trio with Montrealers Vergil Sharkya (analog synths) and percussionist Paulo J. Ferreira Lopes, playing only cymbals. Rodrigues used a soft bow, the hairs of which straddled the bridge to elicit sounds both above and below, drawing a rainbow of soft murmurs. Sharkya’s quick timbral changes showed close listening, while Lopes added various colours, using mallets, sticks and even a cloth rag to coax sounds from the cymbals. The next evening Rodrigues and the two Lopes proved their versatility in a high-energy free-jazz quartet with pianist Karoline Leblanc. Lawrence Joseph writes about music in Montreal (MusicWorks)
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